Gothic revival

In England, some discrete Gothic details appeared on new construction at Oxford and Cambridge in the late 17th century, and at the archbishop of Canterbury's residence Lambeth Palace, a Gothic hammerbeam roof was built in 1663 to replace a building that had been sacked during the English Civil War. It is not easy to decide whether these instances were Gothic survival or early appearances of Gothic revival.

In England in the mid-18th century, the Gothic style was more widely revived, first as a decorative, whimsical alternative to Rococo that is still conventionally termed 'Gothick', of which Horace Walpole's Twickenham villa "Strawberry Hill" is the familiar example. Then, especially after the 1830s, Gothic was treated more seriously in a series of Gothic revivals (sometimes termed Victorian Gothic or Neo-Gothic). The Houses of Parliament in London are an example of this Gothic revival style, designed by Sir Charles Barry and a major exponent of the early Gothic Revival, Augustus Pugin. Another example is the main building of the University of Glasgow designed by Sir George Gilbert Scott.

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In France, the towering figure of the Gothic Revival was Eugène Viollet-le-Duc, who outdid historical Gothic constructions to create a Gothic as it ought to have been, notably at the fortified city of Carcassonne in the south of France and in some richly fortified keeps for industrial magnates (illustration, left). Viollet-le-Duc compiled and coordinated an Encyclopédie médiévale that was a rich repertory his contemporaries mined for architectural details but also include armor, costume, tools, furniture, weapons and the like. He effected vigorous restoration of crumbling detail of French cathedrals, famously at Notre Dame, many of whose most "Gothic" gargoyles are Viollet-le-Duc's. But he also taught a generation of reform-Gothic designers and showed how to apply Gothic style to thoroughly modern structural materials, especially cast iron.

The Gothic Revival was an architectural movement which originated in mid-18th century England. In the 19th century, increasingly serious and learned neo-Gothic styles sought to revive medieval forms, in distinction to the classical styles which were prevalent at the time. The movement had significant influence throughout the United Kingdom as well as in Europe and North America, and perhaps more Gothic architecture was built in both the 19th century and 20th century than had originally ever been built.

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In literature, the architectural Gothic Revival and classical Romanticism gave rise to the Gothic novel genre, beginning with Castle of Otranto (1764) by Horace Walpole, 4th Earl of Orford, and inspired a 19th century genre of medieval poetry which stems from the pseudo-bardic poetry of "Ossian." Poems like "Idylls of the King" by Alfred Tennyson, 1st Baron Tennyson recast specifically modern themes in medieval settings of Arthurian romance.

Gothic architecture did not die out completely in the 15th century, but instead lingered on in on-going cathedral-building projects and the construction of churches in increasingly isolated rural districts of England, France, Spain and Germany. In Bologna, in 1646, the Baroque architect Carlo Rainaldi constructed Gothic vaults (completed 1658) for the Basilica of San Petronio which had been under construction since 1390; there, the Gothic context of the structure overrode considerations of the current architectural mode. Similarly, Gothic architecture survived in an urban setting during the later 17th century, as shown in Oxford and Cambridge, where some additions and repairs to Gothic buildings were apparently considered to be more in keeping with the style of the original structures than contemporary Baroque. Sir Christopher Wren's Tom Tower for Christ Church College, Oxford University, and, later, Nicholas Hawksmoor's west towers of Westminster Abbey, blur the boundaries between what is called "Gothic survival" and the Gothic revival.

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In the mid 18th century, with the rise of Romanticism, an increased interest and awareness of the Middle Ages among some influential connoisseurs created a more appreciative approach to selected medieval arts, beginning with church architecture, the tomb monuments of royal and noble personnages, stained glass, and late Gothic illuminated manuscripts. Other Gothic arts continued to be disregarded as barbaric and crude, however: tapestries and metalwork, as examples. Sentimental and nationalist associations with historical figures were as strong in this early revival, as purely aesthetic concerns. A few Britons, and soon some Germans, began to appreciate the picturesque character of ruins— "picturesque" becoming a new aesthetic quality— and those mellowing effects of time that the Japanese call wabi-sabi and which Horace Walpole independently admired, mildly tongue-in-cheek, as "the true rust of the Barons' wars." The "Gothick" details of Walpole's Twickenham villa, "Strawberry Hill," (illustrated, left) appealed to the rococo tastes of the time, and by the 1770s, thoroughly neoclassical architects such as Robert Adam and James Wyatt were prepared to provide Gothic details in drawing-rooms, libraries, and chapels, for a romantic vision of a Gothic abbey, Fonthill Abbey in Wiltshire. Inveraray Castle, constructed from 1746 with design input from William Adam, displays early revival of Gothic features in Scotland. The "Gothick" style was an architectural manifestation of the artificial "picturesque" seen elsewhere in the arts: these ornamental temples and summer-houses ignored the structural logic of true Gothic buildings and were effectively Palladian buildings with pointed arches. The eccentric landscape designer Batty Langley even attempted to "improve" Gothic forms by giving them classical proportions.

A younger generation who took Gothic architecture more seriously provided the readership for J. Britten's series of Cathedral Antiquities, which began appearing in 1814. In 1817, Thomas Rickman wrote an Attempt... to name and define the sequence of Gothic styles in English ecclesiastical architecture, "a text-book for the architectural student". Its long title is descriptive: Attempt to discriminate the styles of English architecture from the Conquest to the Reformation; preceded by a sketch of the Grecian and Roman orders, with notices of nearly five hundred English buildings. The categories he used were Norman, Early English, Decorated and Perpendicular. It went through numerous editions and was still being republished in 1881.

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Gothic architecture

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Characteristics of Gothic architecture

Brick Gothic

Sequence of Gothic Styles

England Gothic styles

Gothic revival

The 20th century and beyond